Slow Burn: A century of Australian women artists from a private collection
6 AUGUST - 19 SEPTEMBER 2010
Slow Burn: A century of Australian women artists from a private collection traces the history of women artists in Australia and the development of a remarkable private collection over a 15 year period. Guided by the late art dealer Eva Breuer who worked closely with the collectors to acquire the best works of Australian women the exhibition presents ninety three Australian women artists ranging from the delicate pastels of Janet Cumbrae Stewart to the modernist prints of Margaret Preston to the bio-techno sculptures of Patricia Piccinini. The works in the exhibition demonstrate the skill and versatility of women artists over the past hundred years.
CLARICE BECKETT Bathers, Beaumaris c.1925-30 (detail) oil on canvas on board 39.2 x 29.5cm
The Shilo Project
2 JULY - 1 AUGUST 2010
An iconic album cover from the 1970s, Neil Diamond’s Shilo, is the stimulus for this touring exhibition from the Ian Potter Museum of Art, Melbourne, which explores the intricate relationship between pop music and modern art. The original album cover featured an innovative join-the-dots image of Neil Diamond, inviting fans to complete their own portrait. For the Shilo project, curator, Dr Chris McAuliffe invited 100 leading contemporary artists to respond to the artistic challenge posed by the do-it-yourself album cover. Their works will be exhibited along with a number of amateur responses – many of which have been collected from op-shops and second-hand record dealers. A NETS Victoria Touring Exhibition, developed by The Ian Potter Museum of Art, The University of Melbourne.
BEN QUILTY Untitled 2010 Shilo sleeve, spray paint, pencil, ink
Sidney Nolan: The Gallipoli series
28 MAY - 27 JUNE 2010
Sidney Nolan (1917–1992) was one of Australia’s most complex, innovative, and prolific artists. Throughout his extraordinary artistic career, Gallipoli was a theme to which Nolan would constantly return. Nolan worked on a series of paintings for two decades that were inspired by the World War I campaign and underpinned by personal tragedy. In 1978, Nolan presented his Gallipoli series - two hundred and fifty two drawings and paintings - to the Australian War Memorial, in memory of his soldier brother Raymond, who died in a tragic accident just before the end of the Second World War. The exhibition provided the opportunity to view a highlight of these striking and iconic works, now on display together for the first time in 30 years. An Australian War Memorial travelling exhibition.
SIDNEY NOLAN Head of Gallipoli soldier in pink and gold 1977 (detail) alkyd on hardboard 122.2 x 91.4cm Collection: Australian War Memorial
2010 Salon des Refusés
27 MARCH - 23 MAY 2010
The Salon exhibition is selected from the official entries to the annual Archibald Prize (for portraiture) and Wynne Prize (for landscape painting and figure sculpture) at the Art Gallery of New South Wales (AGNSW). Our guest panel are invited to go behind the scenes of the judging process at AGNSW, to select an exhibition from the overwhelming number of art works submitted to both prizes, yet not chosen as finalists. Sponsored by Holding Redlich
ZHONG CHEN Poh 2010 (detail) oil on linen 190 x 220 cm
Nicholas Harding: Drawn to paint
15 JANUARY - 7 MARCH 2010
This survey exhibition spans twenty five years of Nicholas Harding’s artistic practice, from 1984 to 2009 and portrays the artists' life from Sydney’s gritty, inner urban surrounds, were Harding lives and works, to the relaxed beach life and culture of his beloved Wooli, in the coastal Yuraygir region of NSW. Along with his early works, portraits of the people in his life, Sydney interiors and still life, these paintings speak of a lusciously viscous painting style. Harding is well known for his paint application, creating shapes and forms with abundantly drawn paint. Equally important are the artist's ink drawings where he draws, erases and gouges into the paper, taking away and putting back in a constant process. Both techniques create richly tactile surfaces that contribute to the development and vitality of his work.
NICHOLAS HARDING In the swell (snorkeler) 2006 (detail) oil on Belgian linen 56 x 51cm